Photography is an art, and in art colors matter. Say you are taking product shots in a controlled lighting environment. There are tools that can help you gather the right color information while you shoot. If your workflow requires this, you may want to take a look at the SpyderCAPTURE Pro from DataColor.
Adobe just released the new version of its photo management and editing software, Adobe Photoshop Lightroom 5. The software comes with many improvements to help photographers in their work. In this review we will explore them so you can judge if the upgrade is worth it.
Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom
By David duChemin
New Riders Voices That Matter
$44.99US $ 53.99CA
I have long admired David duChemin’s photography and his fabulous blog, Pixelated Image. He is a world-class traveler, photographer, and humanitarian. David duChemin’s philosophy and images are akin to Ansel Adams, as their work is primarily concerned about the aesthetic vision and depth of the final photograph.
Digital photography has revolutionized the photography industry. I remember when, for most people, learning about photography primarily centered on learning the craft up to the point of removing the film from the camera and sending it in to get it processed. Sure, I dabbled in black and white film developing and photo printing in the early 80′s, but anything other than black and white print film was beyond my capacity to deal with myself. Now, thanks to digital cameras, computers, and specialized software, photographers have a whole other facet of photography to enjoy learning and mastering.
Using a Mac really makes the computing side of photography a treat. It’s no secret to Mac owners that OS X is far more conducive to getting things done as opposed to playing high priest to keep the computer running, as is often the case with Windows machines. That’s not fanboy hyperbole — I spent years primarily using Windows machines, and it really hit me not long after returning to the Mac that I was spending a lot less time maintaining the machine and much more time just using it.
One of the other reasons that Macs are a great choice for photographers is software choice. Like the new Photoshop CS5? It runs natively in 64-bit on the Mac. Like Adobe Lightroom? It’s there too. But while those programs are also available for Windows users, Mac owners have the option of using Apple’s superb Aperture photo editing and management software. Aperture 3 was released early this year and is a huge upgrade in terms of image editing flexibility and capabilities. For more casual photographers, iPhoto is great for basic editing, photo library management, and photo sharing, and it comes with every Mac.
If you like to put photos on flickr, there are also a ton of great third party applications for the Mac that make managing your photos and viewing photos from your contacts and groups easy. Two of my favorites are Flickery and Viewfinder.
There are also great photo sharing options for Mac owners. MobileMe provides photo album functionality that works well for basic photo sharing, and there are great applications like MemoryMiner that make organizing photos and creating and sharing meaningful photo slideshows on the web both fun and easy. Apple’s Aperture 3 also includes the ability to create beautiful slideshows.
Mainly, from a photographer’s standpoint, the focus should be on effectively managing and digitally processing photos. The Mac is good about getting out of the way and letting that happen.
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Bakari joins the show this week to chat with Guy, Tim, and Chad about Apple’s Aperture and Adobe’s LightRoom. DRM-Free iTunes music is also a big topic. Nemo interviews author Ted Padova on his new Adobe Acrobat 8 PDF Bible. And finally, Robert looks at three products, including LX Triple Display Lift Stand, the QuickCam Ultra Vision, and the IChatUSBCam
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I had an interview with Kevin Conner, Director of Product Management at Adobe. Do to timing windows, I had 15 minutes. Being the tactful guy that I am, I ask, “So everyone in the world is going to ask this, but I want your canned answer. Why did you make LightRoom directly against Aperture, and how do you think it is better than Apple’s Aperture?”
The guy looked like I had just passed gas in an elevator, loudly. I’m thinking “What, I don’t have a lot of time, and this is of course the most significant question on buyers minds”.
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