Media Edit Pro – Review

On December 31, 2003, in Uncategorized, by Chris Seibold

Media Edit Pro
Company: macXware
Price: $79.99
OS X and OS 9 compatible (despite the Company name)

Reviewing a program like Media Edit Pro is a tough slog. Not because of any shortcomings of the program but because it was completely different from what I expected. Perhaps a brief description of the review process is in order. What I review is stuff that interests me, and I’m interested in Movies. So when I saw a press release for Media Edit Pro I thought “Hey, Here’s a movie editor more robust than iMovie but cheaper than Final Cut Express, that’s something I’d like to try.” A couple of e-mails later and I had a copy. I installed Media Edit Pro (which is growing tiresome to type so I’ll truncate the title to MEP in future references) with no problems. then I downloaded and installed the update. Still a problem free experience. Found some footage to play with and fired up the program to give MEP it’s first test run. Big Problem.

The problem wasn’t with the program, it just wasn’t what I was expecting. I expected a simple but more robust movie-editing program, I was wrong. The program is called Media Edit Pro for a reason and the reason is that MEP is not just a movie-editing program (one assumes the author put more thought in the title than I did when I read it) but also a full-fledged media-editing program (hence the text). That means pretty much any media you care to mess with. I only care to mess with video stuff so I’m sticking to the video side, but from the little I know about audio and stills it seems that MEP would be quite capable in that department. Let’s hit the easy stuff right now, MEP includes plenty of effects and transitions and you do have complete titling control. But there’s more to MEP than being just a beefier copy of iMovie, much more.

Say you want to pull off the effect from the beginning of Saving Private Ryan/ Gladiator. You remember that extra violent fog-o-war feeling. You can’t do it with iMovie, it’s just not possible out of the box. It’s no big trick with MEP. To be honest there’s not a lot you can’t do to video footage with MEP. You can do titles any way you wish, move the audio around, add a single frame or a thousand, paint. Paint? Did I say paint, let’s look back… It appears I did say paint. Well that’s okay because you can paint directly on your video using the painting tools. It’s a more useful feature than you might think. This might have you wondering “If I can paint, does this mean I can apply other image editing techniques to my movie?” Wonder no longer, the answer is yes. You want to mask the video? No problem. You want to apply an effect to just a region of the movie (you know a specific selected area)? Again no problem. Think of it, you can add cool effects to just, say, half the visible video. People familiar with imaging editing programs will be able to go nutso crazy with the included tools and mere mortals like I can still have a pants load of fun.

How powerful is MEP? I don’t know. I know it can handle anything I can throw at it but I only have limited video editing experience. Could a super slick director take MEP to its limits? I would bet the answer is yes. At least I think they could, you see MEP also includes brush editor to make your own brushes. These aren’t just static brushes, these are special cool movie brushes. Even more intriguingly MEP includes something called RBscript. This is well beyond my ability to use but I suspect that in the right hands it could be a very powerful tool. With the ability to script stuff I conclude that MEP is limited more by the user than the program.

The last question to ponder: what do I give up if I ditch iMovie and start using MEP? Well, MEP does everything iMovie does as well as plenty of other neat stuff I haven’t mentioned (for example: you can set the dimensions of the movie). MEP offers a great deal of creative control and for those of you who don’t want to shell for Final Cut Express but need more than iMovie this is the best alternative I’ve run across. MEP is very powerful, very original and very very cool. In addition to all the aforementioned goodness MEP includes a printed manual (becoming a rarity, but helpful with a program as original as MEP) and a very cool sticker.

MacMice Rating: 5 out of 5
Pros
: Powerful Video Editing
Cons: None

 

The Mouse – Review

On December 31, 2003, in Uncategorized, by Tim Robertson

The Mouse
Company: MacMice Workspace Products Co.
Price: $39.99

http://www.macmice.com

A mouse is a mouse is a mouse, no? Well, no, not really. Everyone reading this probably has a mouse nearby, even if you are using a Trackpad on a PowerBook. But there are times, especially graphic manipulation, where using a mouse is simply easier and more accurate. And as we all know, Apple makes a decent mouse that ships with the Macintosh. Rugged, stylish, and easy to use. But it does have one problem; it has only one button!

Mac OS X is all set up for a dual button mouse, as well as a scroll wheel mouse. Some people have never tried a multi-button mouse, as hard as that is to believe, because they simply like the feel of the oblong Apple supplied mouse. Honestly, these people don’t know what they are missing, as a two-button mouse is simply a must-have, as is a scroll wheel. But do you have to sacrifice your Apple mouse feel to move up to one of these dual-scroll-Mouse? Not any longer.

Named simply The Mouse, this new mouse has all the features you want in a better mouse; two-buttons, a scroll wheel, optical, and a cool, read glow emanating from under the unit. And at first glance and feel, you would almost think this is indeed an Apple built mouse. It looks very much like the standard Apple mouse, is just about the exact same dimensions as a standard Apple mouse, and even feels like an Apple mouse in your hand.

And in some respects, therein lies the problem. MacMice did such a good job of making The Mouse feel like a stock Apple mouse, that it is too easy to remember this is a two-button mouse. Thus I have been accidentally right-clicking everything, all the time, without meaning to. Will you have this problem? It could be that my hand simply has a mind of its own, and when it feels an Apple standard mouse, it knows how it is suppose to click. And this after using The Mouse in preparation for this review for a month. I simply cannot get over that this is not an Apple mouse, but a third-party one. Again, it could simply be my hand is too confused.

What can you really say about a mouse? It works fine. No skipping. No tracking problems at all. The left and right button work fine, as does the scroll wheel. But wait, what’s this? This is a THREE-button mouse! The scroll wheel itself is a button as well? How cool is that?

After a month, my opinion is very high on The Mouse, except one small, but important, detail. The Mouse clicks loud. Too loud, I think. It is louder than a standard Apple mouse when clicking, at a higher pitch. My wife does not like it, as the sound of The Mouse clicking carries further than an Apple standard mouse, and WAY louder than my Logitech MouseMan Optical Dual Sensor.

When comparing The Mouse, at $39.99, to the OEM Apple mouse, it is a clear winner, as long a loud clicking is not a problem for you. When I compare it to the Logitech MouseMan, however, it falls far short. Tracking on the Logitech MouseMan is much more accurate, it is more ergonomically in every way, it is at least 200% quieter, and it has a thumb button.

But putting aside how far superior the MouseMan is, at twice the cost I should say, The Mouse is still a good, well-built mouse. Definitely an upgrade from an OEM Apple mouse, and it comes in both white and black. (Update, the Black model has sold out.) If you want a three-button mouse, and want the feel of the OEM Apple mouse, this is far and away the mouse for you. If you simply want to upgrade to a better mouse, and cost is not an issue, there are a ton better mice on the market.

MyMac rating: 3.5 out of 5

 

What’s your story?

On December 30, 2003, in Uncategorized, by Bruce Black

“On January 24th, Apple Computer will introduce “Macintosh”, and you’ll see why 1984 won’t be like “1984”.

-Closing line from Apple’s famous “1984” commercial, which starred Anya Major, and which was directed by Ridley Scott.

With the twentieth anniversary of the Macintosh upon us, I felt that this would be an appropriate time to tell “my story”, of how I came to be such a fan of this computing platform. Heck, everyone has stories, right?

As it says in my profile, my first exposure to a computer was my high school’s Digital Equipment Corporation PDP-11, way back in the dark ages of the early 1970’s. It was pretty cool. Up until that point, computers, at least to me, had been the stuff of Saturday afternoon science fiction movies, where white-coated scientists were always trying to either save the world, or blow it up. School authorities kept the PDP-11 locked in a room, with only a few teachers being allowed access to it, but on occasion, some of us students got to see it. A big deal for us students was to get to see the teacher in charge of it actually start it up. True excitement among 70’s high school geeks! The room where students were allowed to actually work on the computer was just an ordinary classroom, normal, but for the Teletype terminals, mounted on pedestals, around the room. To all you younger readers, that means they looked like fancy typewriters, with little ball shaped gizmos that traveled back and fourth, printing code and whatnot on yellow paper. And yes, even back then, there was games, mostly written in BASIC. There was even a pretty cool Star Trek game, where two players on different terminals could play against each other. (Gasp!)

Fast forward to the early 1980’s. At this point, I had been in the work force for a few years, laboring away as a test technician. One of my earliest jobs involved testing and troubleshooting printed circuit boards at a mid-size company. Here, I used computers on the job. Automatic test equipment, or A.T.E. was coming in big time, and it demanded techs that were “computer literate”. We had moved away from the Teletype interfaces, and now had monochromatic terminals. So, I found computers to be useful, and even fun to use on the job. But to actually own one? You had to be kidding. They cost thousands, and what would anyone do with one? The answer was no. I had heard about some hobbyists cobbling together some home computers, but my interests at that time were elsewhere.

I started reading about this company called “Apple Computer” in the various technical and business magazines. They were making lots of headlines, as innovators of new stuff, and for the company being a “cool place to work”. The Apple II computers were turning up on desks here and there, and everyone raved about “how much more fun they were than those IBM’s”. I noticed something: Anyone who used an Apple II, whether that person was a secretary, or a techno-whiz kid, was always smiling and enjoying whatever it was they were doing. Okay, that’s nice, but still, my interest in computers was strictly as an on-the-job tool, nothing more. National Semiconductor made an ATE system called the “Starplex”, and a Massachusetts company called Genrad (shortened from “General Radio Company”) made a huge system for PC board testing. It had a vacuum system, with a “bed of nails”, where the PC card, small or huge, got sucked down onto the nails, made it’s electrical connections (hopefully), and the computer ran the test program. I won’t go into any dull details on that, but any test tech who ever used this system is probably rolling his / her eyeballs right about now. Yeah, it was like that. Let’s just say that Genrad should have shipped a large supply of aspirin with each system. When they worked, they worked very well, and when they didn’t? Well, you had better have been blessed with a great sense of humor. Opinions differ as to whether or not I have this particular gift.

In December of 1984, I went to work at RCA, on second shift. It was here where I first started noticing the little beige boxes called Macintosh on desktops, and in some lab areas. I had heard of it, they came from that Apple Computer Company. I had heard how revolutionary it was. I had not put my hands on one. That was soon to change. One of the things I had to do was write some notes on what had been accomplished during the course of the shift. The reports didn’t have to be long or involved, but a reasonable account of the nights transgressions. Not too bad, I thought, I’ll use the VAX system. (Anyone remember the good old VAX?)

Well, after a few nights of dutifully typing out some notes on what happened, I came in to work one afternoon, and my supervisor said that the VAX system was down, and would not be up again that night. He pointed to one of the little beige Macs and said, “Use one of those for your report”.

Thus, it began for me, on a late night in 1984, in a darkened office area, with a cold December wind howling outside. (They turned off the lights in office areas, except for “night lights” at 9 PM) I sat down at my first Macintosh. Small, rather simple looking, with a cable exiting from a port in the back, and going to a printer that looked enormous. A little keyboard, and the “mouse” which I had heard about. I had no clue as to where to begin, so with the Mac already powered up, I started poking around with the mouse. And…. AMAZING! This is awesome, I thought. But what the heck was that “KA-Klunk” noise I heard here and there? It sounded like someone banging on a tin can with a small hammer. Another tech, watching me play said, “I think that means you’re doing something wrong, or something”. Okay, fair enough. It was funny, but for a few moments, I could not determine that the noise was coming from the Mac.

After a few minutes of marveling at the graphical user interface, I found something called “Macwrite”, and clicked on it. Hot Damn, this is just too cool! Very soon, I had typed out my evening’s report, and figured out how to print it. Nice! And I never even cracked a manual. So, this is what this Apple Computer is all about, making it fun, as well as interesting.

More and more of the little Macs started appearing all over the place, and even in some more lab and shop areas. Most people really loved them; with “They’re so easy to use” being heard constantly. It was right along in here, when I encountered my first “Mac basher”. I won’t hash this up again, other than to say that here was a man who apparently could not stand the fact that a company had made using computers not only simple, but also fun. His favorite expression: “They’re so stupid”! I’m sure you’ve all met at least one of these. I’m not sure where they come from. My best guess would be a toxic waste dump.

I continued to work with the Mac, and it got even better when I learned that you could use “Mac Draw” to do up some pretty decent mechanical drawings. Professional applications for this purpose started appearing, and it was even nicer. Macdraft continues to be a favorite of mine.

Time did what it always does, it marched on. Processors got faster, demands went up, and the Mac evolved. Other types of desktop computers evolved as well. The “PC Genius” seemed to be everywhere, and appeared to be the choice of those who considered themselves to be “more computer literate” than Mac users. By the early 90’s, I found myself actually wanting to own a personal computer. I wanted a Mac of course, but buying a new one was out of the question. No dice, not on what technicians were paid. But, I got an even deeper appreciation for the Mac, when I was hit with a long stretch of unemployment from ‘91 to late ‘92. General Electric had bought out RCA, and GE handed me a nice layoff letter. But, they provided an outplacement office, which was well equipped with Mac IIs, and early laser printers. I was able to build a most excellent resume’, and get it just right, thanks to those Macs. While the PC’s in the outplacement office were coughing along with early versions of Windows, (Lots of crashes, and problems which no one knew how to solve) the Macs made like the energizer bunny, and just kept going and going. With so many people now out of jobs, there were usually lines of folks waiting to use those Mac IIs. No waiting for the PC’s, even if they were up and running.

I realized that I was hooked on these computers, and that was that.

In late 1995, I finally purchased my first Mac, a Performa 6360, equipped with OS 7.5 I know, not one of their better products, or operating systems. (Boy, don’t I know it!) A lot of the problems with this box went away when I installed 7.6.1 on it. Now it worked fine. Maybe not the fastest around, but I loved it just the same. (I still have it.) As most people know, this was Apple’s worst time as a company. I felt it was important to stick with them, and to keep buying their products, despite so many saying that the company was going to disappear any second. It was during this time, that I knew that I was truly a “Macaddict”, and no, I was not about to apologize. People kept saying negative things about Apple, and my response was simply, “Just wait awhile”. When the company was reorganized, and Steve Jobs returned to the helm in 1997, I knew things were going to start happening, and probably fast.

As most of us know, and as some of the more hard-line PC zealots will admit, (albeit grudgingly) the waiting has paid off, and I would say it has paid off big time. We have hardware and an operating system we can truly be proud of, and some applications that are nothing short of awesome. Apple continues to develop technologies which are generations ahead of everyone else, and which are the envy of the industry. (Despite the best efforts of some naysayers to put “spin control” on it.) The iPod is a classic example of this. How many imitations of the iPod are there now anyway? And would anyone care to bet how long it will be before Dell’s cases and internal designs start to bear a strange resemblance to the G5s? (Look Mike, no cables to clutter things up! Hard Drives you can install and remove without tools! Better get busy Mike.)

Question: What do you call the R & D department at Dell?
Answer: Apple Computer.

I know, I know, lots of pompom waving here. The answer to the question you want to ask is no, I don’t think Apple is perfect by any means. I don’t agree with all of their decisions. They’ve had a lot of successes in recent years, and some failures as well. The failures are getting fewer and father between.

Twenty years of being a Mac Fan. Yeah, it’s a long time, and I’m amazed at how far we’ve come, with technology and everything else. Are you looking forward to the next twenty? I know I am.

I salute the Macintosh on its twentieth birthday! I am damn glad to have been along for the ride, even if there have been some “potholes” here and there.

Oh, and if anyone out there knows where I can grab that “Ka-Klunk” sound, or the “monkey squeal” sound, drop me a line here at MyMac.com.

So, what’s your story?

 

by John Nemerovski, with help from David Weeks

Two categories of new products have become ubiquitous during the past year: rugged, comfy laptop backpacks, and small, speedy external hard drives. Nemo and Weeks are big fans of both classes of items, and the good news keeps getting better.

Willow Design sent us a lean, mean, versatile case for a monster portable computing machine, the 17” PowerBook. PK-12 Garibaldi at well under $200 US is attractive, strong, and easy to use. Nemo carries a ton of computer equipment with him in Willow’s original 15” TiBook case, working all over town every day. His recommendation remains highest for road warriors who need maximum security and minimum bulk. Garibaldi holds a 17” PowerBook and just the right amount of gear to function efficiently. You want to climb a mountain and bring your MegaBook along? Ubetcha.

Nemo’s favorite feature remains the clever way Willow places straps and handles within and on the backpack, turning it into a briefcase when appropriate. Many other comparable, creative components come as standard issue in Garibaldi and the entire range of Willow Design products.

When your portable computer costs several thousand dollars, don’t be stingy when choosing a case or pack! Depending on your need for additional storage, you’ll agree with our rating of between:

MyMac Rating: 4

A very decent product. Worth the time and investment, but look for competing products.

–and—

MyMac Rating: 5

Fantastic product! Well worth your money and investment. The best of its kind.

At the other end of the size/weight scale is WiebeTech’s slim, speedy MicroGB800 Portable Disk Drive, featuring combo FireWire (800 and 400) plus USB (2 or 1) ports, utilizing bus-powered or electric-powered operation, as appropriate. Weeks did initial tests on our review unit, a 60GB/7200 rpm drive, and MicroGB compares favorably with other FireWire 800 drives evaluated previously.

It’s small and it’s fast, it’s stylish and it’s lightweight, it comes with all necessary cables plus an on/off switch. DO NOT DROP! is printed on the disk’s label, so please treat MicroGB with care. From our personal experience, it’s fairly rugged, but don’t push your luck.

WiebeTech continues to add speed, design, and miniaturization throughout their entire line of products, with regular price reductions. Customer service is first-rate, and on a first-name basis, with efficient repair or replacement when a drive fails within your warranty period.

Nemo uses WiebeTech external drives for desktop and mobile data storage, with ease and reliability. If you find competing products that are either cheaper or more robust, I won’t give you an argument, but for best value and data transfer response, WiebeTech remains at the top of our list.

MicroGB comes in a range of disk sizes and speeds, and is easy to recommend, receiving a rating between:

MyMac Rating: 4

A very decent product. Worth the time and investment, but look for competing products.

–and—

MyMac Rating: 5

Fantastic product! Well worth your money and investment. The best of its kind.

 

SmartWrap – Review

On December 28, 2003, in Uncategorized, by David Weeks

SmartWrap
Selznick Scientific Software
$18.00 shareware registration

Here’s a quick review of a small piece of software that performs a single task very, very well.

Do you often have text like this:

>The Unix foundation of OS X brings with
>it all the power
>and complexity of
>multiple users and account settings.

When what you want is:

“The Unix foundation of OS X brings with it all the power and complexity of multiple users and account settings.”
Do you need to re-wrap email text to eliminate quotation marks and hard carriage returns to get better control over your formatting? Do you need eliminate hard returns from text copied from word processors or Adobe Acrobat?

Selznick Scientific Software’s SmartWrap does this task quickly and efficiently. I get lots and lots of emails, and when I reply, Eudora 6 (my long-time favorite email application) inserts > marks before each line to indicate a quotation of the text that I am replying to. Moreover, the word wrap is usually incorrect.

SmartWrap instantly removes the quotation marks, and removes any hard carriage returns so the text will wrap appropriately.
SmartWrap, an $18 shareware application, comes in both OS X and OS 8/9 flavors. I tested the OS X version. Installation went quickly and uneventfully; a “SmartWrap” command appears in the Service menu. Eudora users can also install a SmartWrap plug-in that can accessed via the Eudora toolbar.

Paste affected text where you wish, choose “SmartWrap” from the Services menu (or Shift-Apple-A) and the text is de-quoted and de-carriage returned. That’s it!

I copied hard-wrapped text from PDF files, Microsoft Word files, and plain text. SmartWrap worked flawlessly all the time.
SmartWrap’s one drawback is that it’s a bit pricey for a single-task shareware application. But there’s lots to be said for a program that is well crafted, and does its job quickly, easily, and reliably.

MyMac Rating: 4

 

Holiday Archive!

On December 25, 2003, in Uncategorized, by Tim Robertson

From our archive pages comes an Apple Holiday piece. From Susan Howerter, Apple Eve! Sung to “Oh Christmas Tree”  (or, ‘O Tannenbaum’ in German.)

Enjoy, and have a Happy Holidays from all of us here at MyMac.com!

 

Take Control of Users and Accounts in Panther – Review

On December 24, 2003, in Uncategorized, by David Weeks

Take Control of Users and Accounts in Panther
Kirk McElhearn
TidBITS Electronic Publishing
http://www.tidbits.com/takecontrol
US $ 5.00 online purchases only

Take Control of Users and Accounts in Panther (TCUAP for short) is the latest addition to the TidBITS publishing roster, and it’s as good as its predecessors. If you use Mac OS X 10.3, aka Panther, and have any questions about the subtleties of users and accounts, then you need this 64-page ebook. Much of the material is relevant to earlier versions of OS X, if you haven’t Pantherized your Mac.

The Unix foundation of OS X brings with it all the power and complexity of multiple users and account settings. Apple has done a great job of reducing that complexity to manageable level, but the OS X documentation fails to tell the average user how to best understand and configure Users and Accounts. I’m quite sure the run of the mill OS X’er has no idea why you may wish to have a test account, or how to set up a Mac for family use; Apple never tells you!

Kirk McElhearn is an accomplished writer, and he lays out the facts you need with just the right amount of detail. TCUAP’s 64 pages will not tell you all the down-and-dirty details about file permissions, but it tells you what you need to know to understand how best to set up your OS X powered Macintosh.

TCUAP plunges right into the various types of users (root, administrator, regular, managed, and simple) and the differences between each type. You get a pithy description of what actions each type of user may perform, so you’ll know who should get what level of access.

Fast user switching is a fine addition to Panther, but some gotcha’s do prowl the jungle. McElhearn covers the memory usage and preference problems that the uninitiated may encounter if Fast User Switching is enabled.

Do you wonder what the difference is between a Startup Item that runs at system startup, and one that runs at login? TCUAP will straighten you out. Also, you’ll learn when and how to disable them for troubleshooting purposes.

TCUAP closes with a splendid section on how to share files between different users. For me, this was one of the best parts of the ebook, particularly the tip about how to share iPhoto libraries.

Take Control of Users and Accounts in Panther won’t make you an expert on every detail of Users and Accounts. It WILL give you a solid foundation of understanding of a core OS X concept, and very useful real-world techniques to apply that knowledge.

A clear and concise writing style, coupled with clear graphics and notes, makes reading easy on the eyes and brain. TCUAP is no boat anchor; it weighs in at only 628 KB, so this download won’t strain your modem. Nor will the 5 spot it costs strain your wallet. Each member of the TidBITS Take Control series gives a huge information return on your investment.

MyMac rating: 5 out of 5

 

HP DesignJet 120 – Review

On December 22, 2003, in Uncategorized, by John Nemerovski

HP DesignJet 120 large format printer
Company: Hewlett-Packard

Price: $1295.00
http://www.hp.com

HP’s new DesignJet 120 is the best printer Nemo and Weeks have ever used or reviewed. We have some concerns regarding hardware and software, but all our comments on print quality are glowing with praise.

PLEASE NOTE: This review was done using both HP’s included CD software (OS 9.2.2) and web download driver (OS X/Jaguar). Our observations mention certain problems, many of which are supposed to be fixed by now for OS 9 and X/Jaguar, with newer drivers available from HP’s web site. Panther drivers should not display any of the bugs we encountered. Please keep all this in mind as you read our remarks.


JOHN NEMO SAYS

I wish I had a video of me hauling the unit’s casket-size carton into my home office, and then setting up the very large DJ120 by myself. Readers fortunate enough to have a similar opportunity are urged to get assistance from a strong, smart person.

Dozens of friends, students, and colleagues have seen both the printer and its stellar results during our three-month evaluation period. Every person has said more or less the same thing: “Those pictures are gorgeous, Nemo. Where’s the printer? Oh, wow! That thing is *%#+!/¶? gigantic.”

Here’s a photo of HP’s printer next to a life-sized version of the friendly shark featured in “Finding Nemo.”

Bruce Fraser’s Macworld magazine review of DJ120 appeared in the October issue, and I read it not long after creating my initial test prints on a comparable printer. Bruce is the best in the business, and without implying any criticism, I wish his commentary was a bit longer and more subjective. It’s only by working with DJ120 day after day for months that its complete set of assets and range of use become evident.

Not many reviews followed Bruce’s. Why not? Perhaps DJ120 has yet to find its following. Very serious graphics professionals may consider it too much of a “lightweight,” being misled by its modest price. Ordinary people and digital artists may think DJ120 is priced too high, with more attributes than they can justify. Wrong, and wrong, says Nemo.

On a per-print basis, ink and media costs are reasonable, with exceptional value considering the modest initial price of DJ120 hardware. Only a couple of purchase upgrade options make a buying decision easy: if you need a roll feeder, buy one; if you need RIP capability, get it.

Speaking of printing media, we continue to be mightily impressed by Ilford’s Printasia line of premium inkjet papers, reviewed not long ago. Ilford supplied several packs of large-format Printasia glossy and satin to help us evaluate DJ120. Results are consistent, stellar, and eye-catching. If you have not yet done so, buy or order some Printasia today, then send us a thank you note afterward. The satin finish is our overall favorite.

JOHN NEMO’S SETUP AND INSTALLATION

Let’s rewind to my installation and setup of HP’s DesignJet 120. Our review model is the basic unit (minus roll-feed or RIP) which we connected via USB to two different G3 iMacs and a G3 PowerBook running OS 9.2.2 (not all at once), and to a G4 TiBook running OS X/10.2.6.

Unpacking DJ120 wasn’t easy by myself, and I managed to accomplish it using a couple of small tables to balance the monster printer without having it crash to the floor. Following the universal installer chart (which was not thorough enough) I installed all six-color individual ink units and print heads, plugged in DJ120, waited for its ink to be charged, affixed the paper tray, and loaded some ordinary inkjet paper.

Software installation from the included HP disk took a few seconds, followed by my first test prints using automatic settings. My notes from four months ago remind me that my reactions at the time were “slow” progress and “heavily inked” colors, with printer doing a “shake and shimmy” and a lot of “chirping and grunting” during the “long wait” for prints to be completed.

I commented that I “don’t like the setup info,” although once DJ120 was fully ready its prints are “quite accurate and neutral” in color realism, and “very good” using generic normal settings. Prints on photo paper using BEST mode are “superb.” I summarized that initial hour with DJ120 by scribbling: “good printer; huge paper options; very affordable; start to finish printing time acceptable for the size and quality.”

My questions (and answers) then were:

  • Why is the paper feed path so sensitive and prone to stalling or rejection? (I learned to live with it, and fed paper correctly most of the time.)
  • Why doesn’t HP’s software remember paper type or settings from the most recent output? (I now use as many presents as are available, not being bothered by minor inconveniences.)
  • Why do the universal international setup chart and the skimpy printed quick reference guide include so little information? (Because comprehensive html-based language-specific instructions and tutorials are provided on CD and at a dedicated web site.)

    Two months later I compiled Nemo’s personal list of plus/minus for HP’s DesignJet 120, with most important items having a *** indicator.

    In no special order, they are:

    MINUS — Paper type and quality settings don’t stick from print to print, but paper sizes do, on successive prints and saved Photoshop files.

    MINUS — Landscape mode settings don’t work at all using the CD software that ships with DJ120, which I discussed with my HP contacts. (Should be fixed in updated drivers.)

    PLUS — Ink quantity display is good, and ink usage is thrifty. ***

    MINUS — Universal setup instructions are still frustrating. ***

    PLUS — Print quality is consistent and excellent on all photos and art images. ***

    MINUS — Text printing is slow, with acceptable quality.

    PLUS — Page setup paper choices are extensive. ***

    MINUS — Either or both printer and/or computer can appear to freeze with original printer drivers, when sometimes a print is being processed and sometimes a restart or reset is required. ***

    MINUS — DesignJet’s original CD software locks the computer for an extra minute or two during every startup, with no indication of what is happening. Computer takes much longer to enter Sleep mode in OS 9.***

    MINUS — The remaining page countdown is not operative when making multiple prints.

    PLUS — HP’s affordable proofing glossy stock is easy to use and versatile.

    PLUS — Paper quality and type presets are easy to create. ***

    PLUS — Start-to-finish printing is speedy and efficient for large format output. ***

    PLUS — Manual paper ejection is required for largest sheets, to avoid paper crumpling upon release from printer’s jaws.

    PLUS — Full range of paper size markings in manual and tray feed hardware. ***

    PLUS — Easy manual or automatic front loading, or manual rear paper feeding. ***

    MINUS — Custom user-defined paper sizes don’t print consistently.

    PLUS — Ink is quick-drying, but users are advised to let it try completely before handling finished prints.

    PLUS — Approximate per-print costs for HP ink and paper are very affordable, and users will spend at most (in US dollars and inches): $2 per 8 x 10, $4 per 11 x 14, $6 per 13 x 19, $8 per 16 x 20, or $10 per 18 x 24. ***

    PLUS — Total six-cartridge ink replacement costs are under $200, with sufficient quantity for 50 to 100 large-format prints (mileage will vary depending upon ink usage). Ink replacement is effortless. ***


    When weighing the plus/minus ratio and determining which factors matter most, the emerging punch line on HP’s DesignJet 120 is: splendid prints, affordable hardware and ink, potentially tricky setup, idiosyncratic software, multiple paper loading options, noisy but not loud, fussy paper path, versatile product overall.

    Do you remember our recent review of HP’s home office color laser printers? At the time we considered the LaserJet family to be the best printers we had the pleasure to use. DesignJet 120 surpasses that standard, especially with its stunning exhibition-quality photos and artwork results. (We did not address the issues of archival ink and paper during the course of our review.)

    Specs? Interested? Visit this URL or go to HP.com and do a search for “designjet 120″ (quotation marks not necessary). All of the following are linked from the same web page: product information, overview & features, specifications & warranty, supplies & accessories, printable data sheet (.pdf), request a print sample, and technical support.

    The basic sheet-feed model costs around $1200 US, and the networkable roll-feed DJ120 costs around $1800 US. I predict prices will remain steady until an upgrade or replacement model is released.

    For demanding color matching and professional use, our HP representative explains:

    There is good reason why an optional RIP is available. HP wanted to make the printer affordable and bring large format abilities to a new audience (especially one that may not need such strict color requirements, such as at home designers or amateur art/design students, architects). For graphic design professionals that need a very high level of color management, the optional RIP is available and recommended.

    Basically, HP didn’t want to penalize or overload/overprice those not needing or wanting such color control (they may just not need it for their everyday use). This is also why there is a model with and without a roll feed. These advanced features are examples of how HP is trying to accommodate a wide range of
    users. They firmly believe large format capabilities should be available at a nonprohibitive price (for the base model). What this says to me is that the printer’s quality is extremely high (amateurs are getting top notch, professional quality) and just a couple distinguishing options (roll feed model and optional RIP) bump up the product to meet that top level of professional use.

    MyMac.com Publisher Tim Robertson worked with HP’s RIP while testing a different printer. His comments may be helpful.


    DAVID WEEKS SAYS

    The MyMac tag-team review process got underway when I showed up at Nemo’s to beat on the HP DesignJet 120 printer. Good OS X printing compatibility sometimes takes a bit of extra time, and we wanted to see how well HP had written the OS X drivers for this wide-carriage USB printer.

    I had no trouble finding and downloading the latest version of Jaguar driver installer from the HP web site. The testing started auspiciously when the software installed without a hitch.

    My test print was a high-resolution image taken with my Fuji FinePix 601, 3 megapixel camera. I opened it with Photoshop Elements, and printed it with no further tweaking.

    The standard OS X print dialog appeared, with the expected addition of the DesignJet 120 options in the pop-up menu for print settings. This printer has LOTS and LOTS of options: dozens of paper types, paper feed options, and more. Make sure you know the difference between HP Proofing paper, and HP
    coated paper!

    The main difficulty with using the printer comes from the fact that there are a plethora of settings, and few of them “stick” between print jobs. If you use a non-standard print size (we used 13″ x 19″ sheet-fed paper), be aware that the paper size is NOT retained from print job to print job; you’ll need to reselect it each time.

    Nor does the paper type “stick” between print jobs, so you need to scroll through the extensive list of paper types each time.

    Finally, Nemo and I discovered that a bug in the OS 9 driver got carried over into the OS X driver; choosing Landscape orientation does not work correctly. After choosing Landscape, you can Print Preview and view your image in Landscape, but it prints in Portrait orientation. This is quite frustrating. We could reliably work around this problem by rotating our photo 90 degrees, but this is clearly a bug, and needs fixing. It’s not a deal-breaker, but it does add to the complexity of the printing process. (See comments below regarding updated software.)

    The final annoying discovery came when I was unable to create a usable preset for the various test settings of paper size, type, and margins. Try as we might, I could not get the paper size choice to stick when I created and chose a preset. I continually had to reset the correct paper size.

    Once you’ve set your options, and checked and doubled checked them (wasting a big sheet of expensive paper and lots of ink drives me crazy!) the actual printing goes normally. The output is excellent.

    My conclusion is that the basic functionality of the Jaguar OS X driver is okay, but HP needs to work on properly implementing the finer points of the software to eliminate repetitive setup chores each time printing is done. It’s easy to forget a setting, and then waste money when the print comes out looking great, but with the wrong orientation.

    HP tells MyMac.com:

    The options of the driver are the result of the versatility of the HP DesignJet 120 D-size printer that has roll, tray and manual and rear paper feed. And also the paper type options reflect the media flexibility of the printer.

    If you keep the same document open and reprint, you don’t have to reselect the paper size. However once you reopen the document or open a new document you will need to reselect the paper size again. The application is the owner of the Page setup dialog and it is out of the driver scope to retain any paper size settings.

    The “stickiness” of the print dialog settings is also out of scope of the drivers. Mac OS X doesn’t let the driver implement this “feature.” You can use the Presets to save your most used printer settings.

    In Mac OS X, you cannot include any settings from the Page setup dialog in the Presets. “Presets” is a feature of the Print dialog and you can only save settings that belong to it. Once you enter into the Print dialog box the page size and margins have already been defined, so your printing settings are independent to the paper size, margins and orientation.

    We have currently a known bug in the Presets functionality of the driver. The workaround is to manually reselect the Preset, which then will apply the saved settings correctly. We address this in the next release.


    BACK TO NEMO

    Representatives from HP assure me that updated OS 9 and X/Jaguar drivers will be available by the time you read this review: easy to download, install, and use. Improvements will correct most of the problems we encountered. Panther has all necessary DJ120 drivers pre-installed, so most of the glitches and bugs we experienced should not be evident in future.

    Do yourself a favor and buy a second set of ink cartridges. When one of them hits low level on the indicator panel display, DJ120 becomes inoperative. I had just finished printing an edition of twenty-three 16 x 20 exhibition prints for my daughter’s night photography show, and the final picture brought DJ120′s magenta cartridge into REPLACE ME NOW OR ELSE mode. I was stuck with a really large paperweight or desk ornament until the replacement cartridge arrived.

    How did the exhibition photos look? Great! So did the botanical prints I did for landscape designer Carrie Nimmer.

    Over the Thanksgiving weekend I printed an extensive range of final demonstration photos and artistic images on DJ120, including a creative, textured-scan of a woman’s sock, done by my sister-in-law. She tells me: “Your HP printer is terrific, John. Fabulous detail. I scanned a sock and printed the image as an 18×24 inch photo. When framed, my friend, upon seeing it, had to go up and touch it because she thought it was knit and three dimensional. Details too small to see on the computer monitor emerge with amazing clarity.”


    How will we rate HP’s DesignJet 120 printer? Let’s be totally honest, and divide its components into three:

    PRINT QUALITY = 5 out of five

    SOFTWARE AND INTERFACE = 4 out of five

    SETUP AND PHYSICAL CONFIGURATION = 3 out of five

    OVERALL = 4 MAC MICE out of five, based on Nemo’s MyMac.com “Q/D/S/V Standard” for all product reviews:

    Q = QUALITY, including ease of installation, performance, stability, and general happy relationship with everything on my system;

    D = DOCUMENTATION, both printed and electronic, plus appropriate website material;

    S = SUPPORT, in the form of email, phone, and web updates;

    V = VALUE, which includes both original cost and subsequent expenses.


    MyMac Rating: 3 out of 5
    Shows promise! Could be better, but a product worth watching.

    MyMac Rating: 4 out of 5
    A very decent product. Worth the time and investment, but look for competing products.

    MyMac Rating: 5 out of 5
    Fantastic product! Well worth your money and investment. The best of its kind.

  •  

    Weekend Archive!

    On December 20, 2003, in Uncategorized, by Tim Robertson

    A weekend spotlight at MyMac.com! Need something worth reading? Check out THIS article.

    Welcome to the first of what I hope will be a weekend tradition for years to come. I call it Weekend Archive, in which I showcase an article from the past here at MyMac.com. With over eight years worth of history, we have an extensive historical archive of content we would like to share with you. (With more being added from our old archives to our new format every day!)

    This weekend, we take a look at an article from September 9, 1999, by Derek K. Miller. The article is "Why the obsession with market share?" While the article is over four years old, it strikes me just how much some things change, and some things stay the same.

    An excerpt: "Market share alone is pretty meaningless. If Apple can manufacture, market, and sell each of its computers at a profit, then whether it has 2% of 15% of the market doesn’t matter at all to whether the company is financially healthy."

    Read Derek’s article here, and feel free to discuss it in our Forums aferwards!

    Tim Robertson

     

    Card Photo Printer CP-200 – Review

    On December 17, 2003, in Uncategorized, by Jeffrey McPheeters

    Card Photo Printer CP-200
    Company: Canon, Inc.
    Cost: $160 – $190, street
    http://www.powershot.com/powershot2/cp300-200/index.html

    My “dream photo printer” turned out to be one that was not even on my mental radar screen.

    I was making my bimonthly visit to Office Depot the middle of November, and as usual, I check over the bargain table, just in case there is a deal too good to pass up! I have been casually watching for an ink jet printer that would satisfy a need for an occasional photorealistic printer for such times when I didn’t want to wait for professional prints to be ordered and mailed to me. But, having had quite a bit of experience with ink jet printers, and being spoiled with the speed and overall quality of my Xerox Phaser 860 DP solid ink printer, it’s been difficult talking myself into spending even a modest $200 for a top quality photo-ink jet printer from HP, Epson, or Canon. My main issues have to do with speed (or rather the lack thereof) and the hassle with ink cartridges. It’s also very hard to guestimate what it will cost per photo or to know when how much ink to stock up on for a given job. I was tempted by the open-box Canon i960 at our local Office Depot, and went back two or three times to examine it and think carefully as to whether I could justify the thing. I really wanted something portable, and had even been tempted by the snazzy little Canon i70, but I knew, in the back of my mind, they would ultimately disappoint me. I didn’t need their text printing capabilities; and the larger, more capable i960 is not portable at all, whereas the portable i70 would be slow and produce marginally acceptable photo comps. Besides, I really only need a method to produce 4×6 prints; not 5×7 or 8×10 or larger, as I prefer to use a professional service for those situations.

    As it happened, I glanced through the advertising circular on the counter on my way out and saw a little photo printer advertised which was not on display! I asked about it and the staff person said they had just received them and they hadn’t had time to get one set up. I asked to see the box and we opened it up and read the manual. It appeared to be just what I had been looking for, at a price I could live with!

    The printer is called a Card Photo Printer, as in post card printer. The CP-200 is the model indicating it’s a significant upgrade over the older CP-100. It’s about half the size of the older model, weighing in at 28 ounces, and roughly 4x6x2 inches. It is a 300 dpi dye-sublimation printer, which means that it prints with a thermal (heat) process using a roll of film to apply yellow, magenta, cyan, black and a clear overcoat in repeating processes, steadily building up the photo in separate passes. It prints a 4×6 photo in 85 seconds. It’s a real photo, folks. Actually, it’s better than a real photo. A 300 dpi dye-sublimation printer will outperform a 4800 dpi ink jet for color photos any day of the week. Plus, the photo is waterproof and fade-resistant, just like a modern, professional photo by Kodak. When it prints, it’s dry and ready to use! And, the back side of the photo is an actual post card. All that’s needed is a stamp, your message, and an address.

    The way this works is quite novel for the ink jet owners out there. Basically, you purchase the media in a box that includes the film cartridge for that number of boxed media. The printer comes in a box with a supply of five post cards and ribbon to match. A box of 36 photo cards (they are a post card, with glossy side for accepting the print and the other side looks just like the address side of a post card — room for a message and an address) with the ribbon cartridge included costs $18 at Office Depot. Excluding tax, it costs about $.50 per print. Not bad for instant gratification.

    How instant? Well, in case anyone is wondering, many of the newer digital cameras can print directly to this printer. It comes with two USB ports, one for the standard connection to a computer, and one to connect directly to the USB port of a digital camera. With my Canon EOS 300, or the S50, or the s400, I simply take the shots, connect to the printer, and from the menus I can crop, adjust exposure, and send an image to the printer very easily. Since there are a precise number prints allotted with each ribbon cartridge, I don’t have to guess how many prints I will be able to generate, nor how much it will cost per print!
    There are basically three options at the present time for print media: the 4×6 photo post cards I mentioned above; a credit-card sized photo card OR sticker (4 per sheet); and mini-labels in 8 per sheet. These can all be printed either edge to edge or with a border.

    There is a model CP-300, which is identical to the CP-200 but with a rechargeable battery which allows the printer to function when no power is available. An optional car battery adapter is also available to purchase. Detailed specifications can be found here.

    The printer comes with software drivers for Mac OS 9 or X. Installation was a snap! The diminutive size solid construction make it a natural to pack on extended vacations. Send personalized photos to friends and family! I love the ease of use, not to mention the superb quality of the prints! Friends and family have been blown away by how quickly and simply this works!
    The main disadvantages to this package are:

    • 1) proprietary paper/ribbon requirements; i.e. regular 4×6 bulk print paper will not work here and, besides, the ribbon cartridge can only be purchased with the exact supply of media. If you are ordering online, you might want to check for local availability of the media. I get mine at Office Depot.
      2) its small size means it’s not able to do anything larger than 4×6 photos. If you want similar quality, i.e. dye-sub quality, and reasonable speed in larger formats, I suggest the Olympus P-400/440 8×10 printer which can print a full bleed 8×10 in 90 seconds. I’m seeing them listed in the $400 range at present.
      3) the printer is not suited for large bulk output of dozens and dozens of photos. Fortunately, the worst that happens is the automatic heat sensor can tell it’s getting too hot and will put it into a rest/pause mode while it cools for 20 or 30 seconds and then resumes printing. I needed to print 40 copies of a photo for my wife and it had to pause after 25 or 30 prints for a brief spell until it cooled down a bit. (If you need the ability to print in bulk, I’d suggest taking a look at the products from www.hitouchimaging.com.)
      4) it’s so small you might accidentally leave it in a hotel room! Okay, that’s not really a disadvantage! But it is compact! It is definitely going with us on all our vacations!

    It’s not a perfect printer, but for what I need, it’s prett darn close, and it fits in a Christmas stocking! Imagine — the ability to create an instant postcard of yourself wearing the new tie your grandmother knitted for you — which you can mail to her the day after and will, thus, be able to store that sucker (er, the tie!) away and out of sight until her next visit!

    MacMice Rating: 4.5 out of 5

     

    Canon Digital Rebel SLR – Review

    On December 16, 2003, in Uncategorized, by Jeffrey McPheeters

    Canon Digital Rebel SLR

    Company: Canon, Inc.

    Price: $899 (US) Body only

    http://www.canoneos.com/



    I strongly considered an alternate title to this review: “Chris, Here’s the perfect Mate to your GL2!” in honor of Chris Seibold’s expansion into the realm of semiprofessional videography with the Canon GL2. Chris, I know you were hoping I would talk you out of spending so much money for a digital camera, and when I didn’t, and you bought it, you probably wondered if I really knew what I was talking about. I probably didn’t, as usual, but you don’t regret it, now that you’ve had the chance to explore the capabilities! So, when you’re ready to get creative with still photography, this camera could be the answer! And I’m sorry if I’m the responsible party for destroying your savings account, Chris!



    Seriously, for the avid photographer finding themselves short of the $2000-plus it takes to get into the 35 mm digital SLR , the recently released Digital Rebel is a tremendous value. It’s introduction at a price below $1000 has been likened to “the shot heard round the world” in it’s significance to the future of digital photography. That may be a little overstated, as few will argue the importance of digital photography in the consumer space. But it is significant that a serious consumer, dubbed a pro-sumer in marketing-speak, could enter the realm of professional photography for less than what last year’s high-end fixed lens digital cameras were going for.



    To give a detailed review of this kind of camera, I would be overstepping my status as an amateur photographer. There are excellent performance reviews available at the dedicated photography sites. If you’ve ever shopped for a digital camera, you already know where to search for detailed comparisons. For a comprehensive list of resources, you can check here, and my favorite resource .



    The focus of this review is to convey to our readers that now would be an opportune time to move from film to digital in a 35 mm SLR format, thanks in no small part to Canon’s lowering the bar, cost-wise, to enter the realm of professional digital SLRs. Many of you have experience with 35 mm film SLRs and, for various reasons, have been somewhat frustrated and stilted by 1) the lack of creative flexibility missing in today’s fixed lens digital cameras, 2) the high cost of ownership with a fixed lens camera which will basically be worth a fraction of it’s original price in a short while with very little to carry forward to an upgrade; perhaps the batteries or the digital film medium …maybe, and 3) the incredible cost of entry with camera bodies costing hundreds or even thousands more than what you have reluctantly paying for high-end fixed lens digicams, such as the



    Last year, Canon introduced the D10, a significant upgrade to the D60, and one that serious photographers on a budget would see as a must-have piece of equipment. But that wasn’t enough for Canon, and late this summer they introduced the Digital Rebel, also called the EOS 300, in some circles. For experienced SLR fans, the EOS system from Canon needs no introduction. The choices in lenses and accessories is not only large, but considered by an overwhelming majority of professional photographers to be the pinnacle of quality and value. While less expensive 3rd party lenses abound, the Canon lenses hold their own against the likes of Nikkor and Leica. Indeed, it’s not uncommon for hard-core Nikon SLR addicts to have Canon lenses mounted to fit their f-series bodies. A significant advantage to becoming a Canon SLR user is that the lenses and attachments can migrate with you from one body to the next. Canon is very conscientious about making their new cameras backward compatible with the older lenses. If you have an older manual lens which you really like and which mounts to a Canon, such as a favorite of mine — the incredible TamronSP 90 mm 2.5 macro — it will work fine with the Digital Rebel.



    I’ve been shooting with the Digital Rebel for a couple of months, now, and it’s been like “coming home” after being away too long. Four years ago, when three megapixel cameras dipped below the $800 mark, I finally bought my first digicam. The convenience and overall simplicity of using digicams has progressed at a rapid pace, and yet, there was a constant tug-of-war as to when to bring along the digital camera and when to lug the 35 mm film camera along with assorted lenses to get the ultimate quality. More often than not, I’d elect to go digital. The ease of use, ability to review shots as I took them, instant gratification, low cost and ease of acquiring standard prints, not to mention the environmental impact of film development, tended to sway me toward sacrificing some quality (and weight) and go digital.



    Not any more! The images captured with the current crop of 6.3+ megapixel SLRs would rival, indeed dramatically surpass, any 35 mm NON-SLR. Comparing some recent work I did with autumn scenes and outdoor portraits, it became very apparent that the Digital Rebel was meeting or exceeding similar shots I was taking with an Olympus OM-2n mated to a Tamron 90 mm f2.8 Macro (one heck of a lens, let me tell you!) It’s just amazing to me that I have all the benefits of ready access that digital cameras give while enjoying the rich creative capabilities found only in the best film cameras until recently.



    It’s not just the fact that the Digital Rebel can match or exceed the shots with a similar non-digital Canon EOS, it’s the amazing versatility that comes with these digital cameras when using large flash memory cards to gather scores or hundreds of photos, multiple ISO and white balance settings from shot to shot and the ability to program custom color spaces and then print directly from the camera to many modern printers.



    For the digital enthusiast, there are innumerable advantages to this camera compared to any other fixed lens digicam. For one thing, the action is responsive; nearly instantaneous. It takes about 3 seconds after turning on the camera for it to be ready; but then you can take a shot when you want it. When you release the shutter you get the shot instantly. The camera writes to disk quickly so you can take shot after shot. It seems to go forever on a battery; but if you really think you will need more battery power, the battery grip option (holds two batteries) is a great add-on. I have one, and my favorite aspect is how it eases the acquiring of vertical shots with it’s added set of controls on the grip.



    http://www.canoneos.com/digitalrebel/total/feature2.html


    The most common package at retailers such as Best Buy or Sears or online suppliers like Small Dog is the camera plus EF-S 18-55 mm f/3.5-5.6 zoom lens and usually priced at $999, although you may find some better deals this holiday season that will bring the price down. I’d also check around for the best deal on an extended warranty. I found Best Buy’s 4-year warranty for $99 to be appealing.



    This particular zoom lens is an excellent value, although it will only mate with this body. It won’t work with other Canon bodies. The built-in flash will work for small groups and subjects within 5 – 20 feet but it’s nothing to write home about. Also, the lens can obstruct the light when shooting macro. The standard lens will focus on a subject just a short six inches away. I’m a huge fan of the 550 EX flash. I love its advanced features, and it works great with the camera’s built in hot shoe. I also purchased a 28 mm-200 mm EF 3.5-5.6 Zoom, which is very practical for all around shooting. I’m saving up for the 100-400 mm IS Zoom (image stabilizer built in)! My Lowe Pro bag, 2nd 512 MB CF card, and hardware to move the flash off the camera should arrive this week! I was able to obtain quite a few extras at bargain prices through eBay deals.



    The plastic body is a distraction for some; but it shouldn’t be. It’s very solid and feels substantial. The software that comes with the camera includes Photoshop Elements 2, and some great capture software for Mac OS 9 or X, including an application to control the camera remotely!



    I’d recommend this camera to anyone who seriously enjoys getting creative with photography, has some SLR experience, likes the digital hub experience offered by today’s Macs and PCs, and would like to invest in a system that will go forward with them for years to come. The Canon Digital Rebel offers the best features of digital photography without giving up any of the advantages previously reserved for professional film cameras. Canon didn’t just hit a home run with this model; they hit a game-ending grand slam!

    MacMice Rating: 5 out of 5

     

    Pixl

    On December 15, 2003, in Uncategorized, by Roger Born

    Nobody is a real Mac worshipper. I hope you understand. People who ‘love’ their Macintoshes are the same kind of people who ‘love’ their BMWs or their Mexican food. That sort of love, for the vast majority who has it, is much different, and much removed, from the love these same people would have for their mates, their children, or their country. Don’t even put their love for the Mac or some other man-made thing, in the same league as their love of their Creator.

    So why am I different? Somehow I am. I don’t love Pixl. I don’t worship Pixl, although I probably should. Rather, I hate her, or it, or whatever Pixl is. This is some story, let me tell you!

    You already know I am a writer. Yeah, it’s all my own stuff that I write. No stealing from other writers or artists, dead or alive. Well, no more than any other artist does. I don’t mean plagiarism where you steal lines and sentences, or whole paragraphs and publish them as your own. That is the kiss of death to any writer. But story ideas, or the worlds that stories inhabit, or things your favorite writer or artist uses, – that is a much different thing, and fair game for any writer.

    Some of my favorite authors I have purloined ideas from are Asimov, Heinlein, and Niven. They should be flattered, and when I am famous, they will be annoyed.

    But now Pixl is in my life, and I do not know for how long she has been there or how long she will stay. I am trying hard not to allow her to become an addiction.

    Pixl has been writing my stories and my correspondence while I am away from my computer. I do have a life, and I don’t spend all my days before this Macintosh, writing my little heart out. But it was not long before my friends discovered that someone else was writing my stuff when I had already told them I was to be gone. How surprised they were to discover I was emailing them, or blogging on MyMac.com, while I was away and gone somewhere.

    Most of them did not mention it to me, they being polite, or thinking it was another one of my jokes. But I found out from my blogs. I was gone recently to see my kids, and I was not around at all here at the house, nor was I around any computer anywhere. When I came back, there were several blogs I had apparently written in my absence. They were my stories. They were my words, and they were exactly what I would have written if I only had been here!

    What was going on? Was I developing amnesia? Was I becoming a candidate for Alzheimer’s disease? I knew I had NOT written those pieces. Yet there they were, published and dated for a time I was really gone.

    I already have complicated things for myself anyway, so it is unlikely that any of my friends will now believe me. For a while now I have playfully complained about my Muse to everyone, blaming her for my indiscretions in writing, when I said something ambiguous, or made a mistake, or misspelled something. I even jokingly wrote a few emails to someone, and then claimed that it wasn’t me, but it was my Muse, who wrote those words in my absence.

    I am now the boy who cried “Wolf!” No one will believe me when I tell them I went away this weekend, but still somehow managed to write two or three great articles and blogs. Nor will they believe me that I was gone when “I” wrote those excellent emails about subjects we all love.

    I wasn’t here. I was gone. It wasn’t me. – – But it was my words, and it was the very things I would have written, if I had only been here.

    I call her Pixl. She must be some sort of electronic intelligence that has taken up residence inside my Macintosh. That is the only logical explanation I can come up with.

    I really don’t believe in a Muse, which is another term for the subconscious, or the psyche. Besides, a Muse could not write stuff in your absence. That would imply that your Muse was a living creature like a ghost or a spirit. I don’t believe in those either.

    No, Pixl must be a created intelligence like my fictional Mary R147, whose conscious being exists only within the circuits and chips within a computer.

    I know she exists. I know she is real. She has given herself away by the hard evidence of her work, mimicking my own writing, and my own thoughts.

    The fact that Pixl exists does not frighten me. It is the fact that perhaps she does not just inhabit my Macintosh, but also everyone else’s Mac.

    Am I becoming paranoid here? Has Steve Jobs and company actually done something to us via his artificial intelligence buried within these world-class, most excellent computing devices we all know and love so well?

    For now, I am undecided about most of this. Pixl is new to me, and I have been busy looking at my past articles and an email, trying to see how long this has been going on.

    I am also living with the fear that perhaps she might go away. After all, who would not want a real Muse who can send out some of your best work without you having to do a thing?

    This brings up another disturbing thought. What about all my friends and fellow writers? Is it really their work I am reading here at MyMac.com? Are they really there? Or is it just their Pixl doing it all for them? Pod People? No! I cannot go down that path. I must have faith in my fellow man. I must have faith in my friends, that they are real and that they are in charge of everything they do and write. I must be the only one who is different, who is blessed/cursed with Pixl!

     

    Contour Showcase – Review

    On December 12, 2003, in Uncategorized, by Steve Consilvio

    Contour Showcase for iPod
    Price: $19.95 US
    Company: Contour Design, Inc.
    http://www.contourdesign.com

    I love my iPod, but the slipcase that Apple ships with the iPod is horrible. First, you can only access the music controls by removing the iPod from its slipcase. Second, it doesn’t secure the iPod. If you pick it up the wrong way, it is possible for the iPod to slip out. Third, the power port is also blocked by the slipcase. This means that if you listen primarily in your car, like I do, the case is useless.

    The Contour Showcase solves all these problems exceedingly well, and comes with a belt clip. I haven’t had a chance to use the belt clip, but I wouldn’t think twice about shooting hoops with my iPod clipped to my belt. With the Apple slipcase, I felt safer keeping the iPod in my pocket. Another nice feature is that the belt clip is removable if you do not need it. This item is smartly designed.

    The exterior is a soft rubber grip surface. It actually makes your iPod feel better, even though it increases the bulk. I had stopped using my Apple slipcase altogether. The iPod is sleek, and I don’t find the greater size of the Coutour Showcase objectionable. It feels much safer and easier to handle.

    The case can accommodate any size late generation iPod. There is a grey rubber spacer that sits inside the case for thinner 15Gig iPods like mine, but for the 30 and 40 Gig iPods it is not necessary.

    One of the best things is that the case has a clear cover with access holes. I appreciate the controls lock switch that Apple provides, but I seldom use it. This case allows you to handle your iPod easily, and not accidentally push a button and change a setting. The clear cover is thick, so the iPod buttons are recessed. If you have thick fingers, you may find them set too deep. Personally, I like the fact that you have to be a little more deliberate in pushing the buttons. You can easily put it into your pocket and not hit a button accidentally.

    The power port at the bottom of your iPod is accessible, as are the ports at the top. Plugging in my power and cassette adapters when in the car is not a problem at all.

    The one thing you do give up is the ability to drop your iPod into its dock for a quick charge. Of course, you couldn’t do that with the Apple case either. You can get your iPod out of the Showcase quickly and easily with the secure latch on the side. I hope they will make a specialized dock to go along with the Showcase (hint, hint). That would be the best of both worlds.

    It comes in White only. (Why must everything be white?) It is made in Taiwan. Cost is $39.95

    They call it the ultimate case for your iPod. I would have to agree.

    MyMac Rating: 5 out of 5

     

    DeskMount – Review

    On December 12, 2003, in Uncategorized, by Tim Robertson

    DeskMount
    Price: $99.00 (US)
    Company: Marathon Computer Inc.
    http://www.marathoncomputer.com/deskmount.html

    I recently put a G5 on my desk. The problem? Nothing in my G4 will work in the newer machine. Not the RAM, not the graphics card, and not the internal hard drives, of which there are three. (Two IDE and a SCSI.) Now, my G4 is tricked out, as they say. It is fast, powerful, and has a ton more storage in it than the G5 does. But there is simply no room on my desk for both machines, and the floor space is at a premium. So what to do?

    For me, the answer came when Marathon Computer Inc. sent their new product for review, the DeskMount. What is it, and what does it do? Simply put, the DeskMount for the G4 (a G5 model is in the works as I write this review) is installed atop your G3 or G4, and will attach to an included mounting bracket that you install under your desk. In effect, the DeskMount allows you to “hang” your computer underneath your desk. For me, this was the perfect solution. I would be able to keep my desk space, and floor space, yet still be able to access the G4 quickly and easily.

    The DeskMount is made of aluminum, and is very rigid. It would have to be for me to trust it enough to hold an expensive computer two feet off the ground. The mounting bracket is solid as well, though you will have to purchase your own screws to mount it under your desk. Once the bracket is installed, using at least eight screws!, and the DeskMount attached to your computer, you simply slide the DeskMount into it’s frame, easy as can be. It is a very simple, yet very elegant, design. Easily removed and installed in seconds, simply by sliding the computer in and out. And the weight of the computer itself will ensure that the computer will not accidentally slide out of the mounting bracket.

    What about the trap-door design of the G3 and G4, you ask? If the computer is floating two feet above the ground under your desk, wouldn’t the door crash down when you tried to open it? Ah, no fear there, as those smart people at Marathon Computer Inc. is way ahead of you! Included with the DeskMount is a safety lanyard, which connects to both the flip-door on the Mac to the DeskMount itself, which will prevent the door from opening all the way.

    How does the DeskMount install on your Mac? Well, you notice those metal screws on the top of your G3 and G4? The ones holding the front and back handles? Marathon Computer Inc. includes a nifty tool to remove those screws, so that the DeskMount takes the place of those handles.

    It does not get easier than this. Marathon Computer Inc. thought of everything, and I am very impressed with this product.

    MyMac Rating: 5 out of 5

     

    HP OfficeJet 5510 Printer – Review

    On December 12, 2003, in Uncategorized, by Tim Robertson

    HP OfficeJet 5510
    Company: Hewlett-Packard
    Price: $199 (US)
    http://www.hp.com

    All things being equal, I would have to call the HP OfficeJet 5510 one of the best all-around printers / copiers / scanners around. I have reviewed enough all-in-one units now to appreciate a great model when I get to play with one, and after a month of testing, I can honestly say that the OfficeJet 5510 has really impressed me.

    Printing is probably the main reason anyone would purchase this unit. The print quality is simply fantastic. Printing text-only pages is very, very fast, much quicker than I was expecting from an ink-jet printer. So quick, in fact, that my nine-year old daughter even commented on it just this morning. I used the OfficeJet 5510 to print out a letter to her school. She asked which printer it would come out, and I pointed to the HP. It was done printing just a few seconds later. Her reaction? “Wow, that was a lot faster than the silver and black printer.” The silver and black printer being the Lexmark 5150 I reviewed back in June 2003.

    Fast is not always good if the print quality is not up to par. The OfficeJet 5510 has nothing to fear. Using standard high-gloss photo paper and printing a photo from iPhoto, I was simply amazed at the print quality. I have printed many full-page color photos over the last few years, and I can honestly say that the OfficeJet 5510’s print quality is one of the best for an ink-jet printer. While no speed demon printing a full-page color print, the print time was respectable.

    Paper is loaded from the bottom front of the unit, so it is much easier to see how much paper you have left at a quick glance. Not so with a rear, upwards facing paper tray such as those found on most Lexmark, Epson, and other printers. I much prefer a lower-front loading tray to the other types. My only grip here is that there is no protective cover for the paper tray, meaning that if you don’t print something every few days, dust will accumulate, and be run through your printer when you do.

    Be aware that the OfficeJet 5510 is not a post-script printer; so graphic professionals will want to look elsewhere. There is also no built-in print sharing with the OfficeJet 5510, nor is it compatible with Rendezvous, but you can share it via USB Print Sharing built-in to OS X.

    Speaking of OS X, if you are not using Mac OS X or Mac OS 9.1, and are still a happy OS 9.0 or earlier user, you are out of luck. Like many programs and hardware coming out as of late, the OfficeJet 5510 is not compatible with pre-OS X operating systems. Nor is it compatible with Windows 95, NT, 3.1, or DOS, either.)

    Scanning is done via the HP Director software, which you can only get from the included CD-ROM. To deviate from the standard review process for a moment, I would like to point out that HP, while having great products for the most part, has a woefully inadequate support website. The above mentioned HP Director software cannot be downloaded via their website. When Mac OS X 10.3 was released, I had some initial problems printing to the OfficeJet 5510. The problem was unrelated to the HP software, but in my search for a cure I did learn of the poor quality of HP’s support pages. What happens if I loose or scratch my HP CD-ROM? I have to order another one. And as of today’s date, there is still no software update for the software on HP’s website. The same software, HP Director, also controls their digital cameras with their HP Director (Camera). There is also no update for that program online, even though I cannot get it to work under 10.3 correctly. For a company the size and with the reputation they have, I expect better from HP.

    Getting back to the OfficeJet 5510 and scanning, I have found that the scanning works great. While I don’t especially like the scanning software the OfficeJet 5510 ships with, it does work well. You can access the software directly through Adobe Photoshop as well, via the Import-HP All-in-one Scan in the File menu. You can scan photos or documents from 150×150 DPI up to 19200×19200 DPI. The flatbed scanner performs about the same as most other scanners (and copiers) in this price-range, and there is nothing here. It work fine, has an auto-crop feature, etc…

    The true strength of scanning, however, if the 20-page top-load automatic document feeder on top of the OfficeJet 5510. You can set the printer to scan multiple documents (not pictures) up to 20 pages, which is a great feature, one many small or home business users will appreciate.

    Usually, when reviewing a multi-function printer / scanner / fax machine, the fax aspect is the least impressive. Using built-in fax software, you have to have your computer turned on to control, send, or receive a fax. Not so with the OfficeJet 5510! HP, realizing how nice it would be to be able to send and receive faxes, has taken the need to have a computer out of the equation. Simply plug the OfficeJet 5510 into your phone jack, and you can control all the fax features from the built-in LCD display. This is a great feature, one I overlooked when my testing first started. I now feel that this is one of the best selling points to the unit, and one I did not realized I missed so much from other units.

    Specification:

    Print quality 1200 x 1200 dpi

    Connectivity: USB

    Print speed, black: Up to 17 ppm

    Print speed, color: Up to 12 ppm

    Compatible operating systems: Microsoft Windows 98, 98 SE, 2000, Me, XP; Macintosh OS 9.1, OS X

    Scanner type: Flatbed

    Automatic document feeder 20 sheets

    Media sizes: Letter, legal, executive, cards, 3 x 5 to 8.5 x 14 in (using ADF)

    Color fax: yes

    Fax transmission speed: 3 sec per page

    Fax memory: 90 pages

    Fax autoredial: Yes

    Fax PC interface: Yes (sending only

    Fax auto-reduction: Yes

    Fax delayed sending: Yes

    Copy speed, black: Up to 17 cpm

    Copy speed, color: Up to 12 cpm

    Copy settings: Stand-alone copying: fit-to page (from glass only), 100%, reduce/enlarge

    Maximum number of copies: Up to 99 copies

    Bit depth: 36 bit

    Levels of grayscale: 256

    Software included: HP Photo and Imaging Gallery: HP Director, HP Photo Gallery, HP Image Editor, HP Instant Share, HP Photo Prints, HP Creative Projects, HP Quick 4 x 6 prints, HP Memories Disc DVD Creator, ReadIris OCR, HP Send to Programs

    Dimensions (w x d x h) 18 x 11.3 x 9.25 in (18 x 17.8 x 9.25 with tray fully extended)

    Weight: 11.8 lb

    Warranty: One-year limited hardware warranty backed by HP Customer Care, service and support; one-year technical phone support, plus a toll-free number in North America only

    This is a great printer for both the new and veteran computer user wanting an all-in-one printing solution. Fantastic execution in functionality and usability. Small, compact design in an attractive package.

    Well worth the money and investment.

    MyMac Rating: 5 out of 5

     

    Adobe Photoshop CS (8.0) – Review

    On December 9, 2003, in Uncategorized, by Tim Robertson

    Adobe Photoshop CS (8.0)
    Company: Adobe Systems Incorporated

    Price: $649.00 (full) $169.00 (upgrade)
    http://www.adobe.com/products/photoshop/main.html

    One problem with reviewing a program like Adobe Photoshop CS (8.0) is that one never knows just how much to write about. Adobe Photoshop is such a complex and massive program; it is almost an operating system in itself. So rather than going into each and every feature of the program, a task few would undertake in a product review, I will look at some of the new features of the program.

    16-bit color support is probably the biggest improvement in Photoshop with the new CS version. Most graphic programs work with only 8-bit images, but Photoshop CS can now work with 16-bit in layers, brushes, text, shapes, and more. The support is worthwhile for those who need to work with the highest resolution images for color correction.

    RAW Data. When you take pictures with a digital camera, the picture is compressed in .JPG format. This is not an ideal solution if you want to get the best picture you can, and with Photoshop CS, you can now work directly with the RAW picture data rather than the .JPG compressed file. Unfortunately, not all digital cameras are supported. Neither Kodak nor HP digital cameras will work with the RAW support in CS. Canon, Fujifilm, Minolta, Nikon, and Olympus does have some supported cameras. If you need to take professional quality images, but are using a digital camera, as well as having a supported product, you will be very pleased with this feature.

    The new and improved File Browser in CS works exceptionally well. While I had been using the Browser feature in Photoshop 7.0 for a year, it was somewhat cumbersome and not as intuitive as I would like. Photoshop CS has taken the Browse feature to new heights, making it much more intuitive, and much faster on both my G4 and G5 machine than previous versions.

    Histograms are now, finally and “about-time” in color. This will help you when you’re working with RGB channels. This may not sound like much of an issue, but when you are color correcting photos, working with a color histogram will allow you much more precise control over your workflow.

    Better PDF integration. A neat feature is the ability for Photoshop CS to create a “PDF Presentation” even if you do not own the full Acrobat version. While I have no need for this feature, a Photoshop friend and avid PDF supporter told me this is a big deal. So there you go.

    The new Shadows/Highlights filter, found in the Adjustments menu, is simply amazing. This one feature is now a must-have for me. I take a lot of photos with my digital camera, as well as having scanned all my old photos a few years ago. Even after cleaning my old photos up in previous versions of Photoshop, I was amazed at how much help the new Shadows/Highlights help them. It is a great filter, one I am VERY pleased with.

    This is a major upgrade if you are a die-hard Photoshop user, and need the new features found here. If you take a look at Adobe’s website, read through the list of new features, and decide that the $169 upgrade fee is not too steep, you will be pleased. If, however, you don’t need the benefit, you would do well to wait for the next major Photoshop rollout.

     

    XtremeMacGet Connected Kit – Review

    On December 8, 2003, in Uncategorized, by Steve Consilvio

    Get Connected Kit for new iPod
    Company: Xtreme Accessories, LLC.

    Price: $49.95
    http://www.xtrememac.com

    When my .Mac membership came up for renewal, I had a choice of a few different incentives. I chose the $20 credit from the Apple Store. I desperately needed an auto charger for my iPod.

    A visit to the Apple store showed just the thing I needed for 19.95, but I was also thinking about replacing the auto cassette adaptor too. It was making a loud grinding noise and was irritating. Sometimes you could hear it over the music, like a mysterious bad musician. The cassette adapter came from an old portable CD player that has a lot of attachments. It also had an audio cable that I hooked up my Dock to, and was running the iPod through the kitchen radio. This is my iPod’s home base, and it made my kitchen radio, a Zenith Bose-wannabe, sound much better. And of course, no commercials!

    The XtremeMac Get connected kit had what I needed for the car, plus a replacement cable for the kitchen radio, another adaptor that would hook up to my stereo, an extension cable, plus a line splitter so two people could listen through headphones to the same iPod. The last would be good if I ever get back to the gym with my wife, and we manage to agree on the same music selection (not likely.)

    The cost of the kit is $49.95, with the $20 incentive and shipping it cost me around $35. It arrived a few days later via FedEx.

    The first thing I did was hook my iPod up to the home stereo. Very cool! No more digging for CD’s. And now I understood why they shipped an extension cord. If I wanted to bother, I could run the cord directly to my Mac, and run the stereo out of iTunes.

    I then replaced the kitchen radio cord with the gold-tipped cable. I tried swapping back and forth a few times to see if I could notice an appreciable audio difference. I was hard to tell, but I would say yes. The cable did make my iPod sound better, even on my cheap radio.

    Next up, the car. I popped out the old cassette adaptor, inserted in the new. Plugged in the lighter adaptor, hooked up the iPod and was ready to go. I started up the iPod, turned the volume down to see if I could hear anything: Nothing! The mysterious bad musician had played his last note.

    The auto cassette adaptor is quiet. No more dead iPod discoveries in the car. The kitchen radio sounds better. The home stereo can pump music for hours on end (I need to work on some playlists.) And I still have expansion capabilities when and if the need should arrive. I’d say the kit was well worth the asking price. I do wish it came in black, but it only comes in white. And, if you are a Dock user, be aware that the adaptor to the iPod from the auto battery charger requires you to squeeze the sides to release the catch. The other day it “stuck” on me. I had been squeezing it unconsciously and never realized that the lever was there.

    The other thing of note is that the cable to the car charger is coiled. In my car, everything is close and tight: cassette, charger, and place to put my iPod. I can lift the iPod to read it without any trouble, but your car may be different, and you might not prefer to have a coiled cable. I do find it odd that one is cabled and the other is not, since they are both connected to the iPod when you move it.

    It would be nice if someone would make a holster that simplified the cabling, but there is nothing like that on the market as far as I now. As is, you end up with a cable at the top and another at the bottom of the iPod.

    The free iPods that came with a VW bug seem to use the same setup. My old car had an audio input jack, but the new cars do not seem to have one. I suspect we will see that jack port come back as the popularity of the iPod-like devices grow.

    The kit includes:
    Xwire Gold iShare Earbud Splitter
    Xwire Gold Male/Male Audio Cables
    Xwire Gold Male/Female Cables
    Xwire Gold RCA Audio Cable
    Premium iPod Car Charger
    iPod Cassette Adapter

    For more info visit www.xtrememac.com
    Like all fine American products it is made in China.

    MyMac Rating: 5 out of 5

     

    SightFlex – Review

    On December 8, 2003, in Uncategorized, by Tim Robertson

    SightFlex
    Company: MacMice Workspace Products Co.

    Price: $29.99
    http://www.macmice.com

    When Apple released the iSight desktop video camera, I had to have one. Working with iChatAV, the iSight was a perfect way for me to talk face-to-face, or at least via voice, to the other MyMac.com staff members and other friends. As I use a 23” Apple Cinema Display as my monitor, the iSight looked great sitting atop it. But there were two problems. The top of my monitor is over my head, so all video is facing down. The second problem is that the mounting bracket Apple provides with the iSight is horrible, in that the cheap plastic mount actually sticks to the back of my $2,000 monitor. It cannot be removed now.

    Enter the SightFlex. It is, by far, the best choice for iSight owners. Made of a heavy metal base (That closely matches the look of the G5 and PowerBook G4) and a flexible steel tube, it not only works great but is also a solution for any Mac user. It works with a iMac, eMac, PowerBook, G4, G5, etc…

    The MacMice website states that the SightLFlex was inspired by the good, old-fashioned gooseneck lamp. I can see why, as that was my first thought when I looked at the product.

    A 6-pin Firewire plug sits atop the flexible metal tube, which is where you would place the iSight. The Firewire cable runs the length of the tub, and continues out of the metal, heavy base five feet as a standard 6-pin Firewire cable. The iSight, fully erect, with the iSight attached, is two feet in high.

    Amazingly, the price is only $29.99 (US)! I think this is a wonderful product, one that I had no problem with at all. It works as advertised, allowing you to place your iSight camera where you want it to be, and not stuck to your monitor. The flexible metal tube allows you to twist and position the iSight more easily than a static clip will, as long as you keep the center of gravity within 6-inces of the base.

    A great product from a company quickly making a name for themselves. Even though the MacMice name, and spelling, was used here at MyMac.com for years as our rating system, I have no grip with any company producing products of this quality, price, and style even though they took our name.

    MyMac Rating: 5 out of 5

     

    My Family Home

    On December 4, 2003, in Uncategorized, by Beth Lock

    Recently I had the opportunity to visit the house where I grew up. My father has lived there for forty-seven years. He bought the house and the seventeen acres it sits on in 1956 from my grandfather for seventeen thousand dollars. The house was built in 1927. Before my family moved in, the lath and plaster interior walls were gutted and new sheetrock was hung. Walls were painted and carpet laid. The kitchen was remodeled with modern appliances. The rest of the work would come later.

    I shared a bedroom on the main floor next to my parents’ bedroom with my older sister Teresa. Our younger sister Jane was born the year we moved in. I don’t remember her sharing our bedroom, she must have slept in mother and dad’s room. When she was older, the upstairs was finished and we three girls moved up there. We had two beds to share between us, but I remember that most of the time we shared the same bed. I was the middle child, and often ended up sleeping in between my two sisters.

    My brother Joe was born in 1965, sister Melissa followed in 1970. Mother was forty years old when she got pregnant with Melissa. The pregnancy tests came back negative for several months and I remember Mother being worried that she had a tumor growing in her stomach. One day she came home from the doctor and announced that we would have to name her tumor sometime in March of the following year.

    Dad started adding on to the house in 1971, the year I left for college. The new addition held a family room, a larger kitchen, and a casual eating area. The old living room was turned into a formal dining room. Down below the new addition a two car garage was built. Dad owned a construction company, and the new addition took quite a while to be finished because the crew would only work on it when there was no other paying work for the company. Finally mother put her foot down and the new addition was finished toot suite.

    I left Missouri in December of 1973. At the time I was working in Jefferson City, having failed as a college student at the University of Missouri, so I moved on. There was too much fun to be had that interfered with my studying. I was undisciplined and uninterested in furthering my education, so I left college and took a job. I ended up jumping on a train for Spokane, Washington that December. On a whim I went to the train station and told the ticket agent that I had one hundred dollars, and I wanted to go west, but not to California. “I can get you to Spokane for ninety-two fifty,” he said. “Sold,” I replied.

    I went home for Christmas and broke the news to my folks. They weren’t happy. Mother had found an antique conestoga wardrobe, to give me for my Christmas present that year. She and I often went to sales and small shops in the area for furniture and other oddities. That was our special thing to do together. I remember being out in the back yard, with rubber gloves and paint stripper, scrapers, wood stain and varnish, and talks with my mother about everything and nothing.

    It is still a beautiful wardrobe. I visit it every time I go to my family home. It never got refinished, and for that I’m glad. Dad put it in the basement and turned it into a gun cabinet, and it now contains bird hunting clothes, guns, and ammunition. Imagine! My beautiful piece of furniture housing that which I loathe. It’s still mine, though, and I reminded Dad of that during this visit. He has no qualms about me having it. The big question always has been how will I get it to my own home? Of course, I could have it crated up and sent, but I’ve always been too cheap to spend the money. The time has come.

    Mother died in 1981, when I was 28 and Melissa was 11. Joe was 16. Dad had a hard row to hoe, being a widower with two adolescent children. I was far away by then, living in Sandpoint Idaho with two young children. Trips home were few and far between.

    I did travel back in October of 1985, when Dad finally found the second love of his life, Mary. Melissa was 16 when they married and the only child left at home. She accepted Mary for the mother she had lost. Mary has been my mother now for eighteen years. Mary was a widow with five adult children. Suddenly our family had doubled. Not once, ever, has Mary denied us our love for and memories of our mother.

    After Dad and Mary married, they found those strange coincidences that happen in people’s lives. She had the same china and silver pattern as mother. Her father and Dad’s father had died the same year, of the same type of accidents. Her husband Charlie and Mom also died the same year, with similar illnesses. It is a twilight zone marriage, we teased them.

    My visit to my family home was bittersweet. Dad has put the house on the market for sale. He walks with a cane now due to some knee problems. It’s a big old house, expensive to heat and cool. The only way in is up stairs, no matter which way you go. It’s sad to think of going back to Missouri to visit, and not having the fabulous view out the east window in the morning. There will be no more ancient wine cellar in the basement, and no more rambling around in the attic, poking through the dusty storage items. There will, however, still be family. That is what is most precious to me. I’ll miss that old house, but this too, shall pass.

    I wish peace and joy and warm family times to everyone this holiday season.

     

    About eight years ago as the Internet began to take off futurists began predicting the great change that would take place in K-12 education in our country. Students would no longer go without subjects, they would just hop online and take a class in cyberspace. Well, it’s 2003 and with the exception of a few isolated schools in the high plains nothing has changed. The need for physical contact between our youth and their teachers still reigns supreme. It comes down to a simple case of companionship; young students need the physical presence of an adult, whether it is a teacher or a parent in the case of home schooling.

    However, this rule does not apply to colleges and universities. Many are jumping into the cyber education arena. Their efforts have paid off especially in the area of continuing education and advanced degrees. Several of my fellow teachers have taken courses online over the past few years in areas very specific to their desires or requirements. No longer does a teacher need to wait for summer vacation to travel to a distant university for two weeks of intensive classes. One only has to find the time to get online for an hour or two a day at most. What was once an obscure event offered by an eccentric professor is now a major part of a university’s course catalogue.

    Last spring I began searching for the right Masters program involving educational technology. Portland State University has a fine program; problem was that it is a 45-60 minute drive or light-rail ride into town each way. I just couldn’t see sacrificing the extra 2 hours a day in transportation time two or three days a week. Next was the University of Phoenix. The classes were close by, but the costs were just too high in comparison. Then, in my mailbox at school were brochures from Walden University and Wesleyan University. Wesleyan University’s program looked the most interesting, however, once a year I needed to travel to their campus for two weeks. Walden University on the other hand, offered all courses online. All books and videos were included in the price, which as anyone who has paid for textbooks knows are outrageously expensive per semester. I was looking at a student loan that allowed me to cover ALL my costs. Finally, the tuition bill was the lowest of the bunch and they are Mac friendly. So, Walden became my choice.

    How does cyber education work? About a week before each semester begins I receive reading materials and videos for both classes. The courses last 8 weeks each. I watch a video of an in-service lecture. Read the text requirements, take a quiz. Participate in an online discussion usually involving a real world question that each student answers. Then I go and read other students answers and give them my replies. Finally, I am asked to submit a paper that is submitted and returned graded all through cyber space. That is one unit. Two units are required each week. In addition, I write both a mid-term and final paper. It’s a pretty intense week and some serious time management is required to balance class work, grading, lesson planning, and family time. I can tell everyone that the VCR is usually rolling four nights a week.

    I have just finished my third course (the first during the school year) and I can say that I am very glad that I chose the cyber route. For one, I have become in my forties, a morning person. I know I wouldn’t have done very well taking evening courses. I still do most of my work at night, but at a slower pace than what would have been going on a in a classroom. Second, I watch the videos early in the morning, usually from 6:30 to 7 just before I go off to work. My mind is quite sharp and I usually can pick up on some debatable point in the video that I can discuss in the discussion board or my paper. Third, I am able to change when and where I study, as I need. No longer am I forced to be someplace at a certain time for continuing my education. My family can still come first.

    It is my firm belief that in the next ten years a full third of all advanced degrees will be earned through online studies. The very best schools and programs will be available to everyone, not just those geographically or monetarily in position to take advantage. The paradigm has shifted and this time it looks to be for the betterment of the masses.

     

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